BLAZAR - Kit de 3 lentes Viper T2.1 Full-Frame 1.5x Anamorphic Set (ARRI PL, Blue Flares)

The Blazar Viper T2.1 Full-Frame 1.5x Anamorphic 3-Lens Set delivers the coveted cinematic widescreen aesthetic that filmmakers and content creators seek, now in a lightweight, compact package designed for modern production workflows. This three-lens kit—comprising 35mm, 50mm, and 75mm prime lenses—brings the magic of anamorphic storytelling to full-frame cameras with an accessible price point and professional-grade build quality. Whether you are shooting narrative films, music videos, commercials, or documentaries, the Viper series offers a classic anamorphic look with silver flares, oval bokeh, and an expanded horizontal field of view that sets your visuals apart.

Key Features
Full-Frame Coverage with 1.5x Anamorphic Squeeze
Each lens in the Viper set covers a 36×24mm full-frame image circle, ensuring seamless compatibility with today’s leading full-frame cinema cameras. The 1.5x anamorphic squeeze factor produces a look comparable to a 1.8x anamorphic lens, delivering the signature widescreen aspect ratio, elongated oval bokeh, and expansive horizontal perspective that define the anamorphic aesthetic.

Fast T2.1 Aperture with 16-Blade Iris
A consistent T2.1 maximum aperture across all three focal lengths provides exceptional low-light performance and shallow depth-of-field control. The 16-blade iris design renders smooth, circular out-of-focus highlights and contributes to the creamy, organic bokeh that anamorphic lenses are renowned for. The aperture range extends from T2.1 to T22, offering flexibility for both shallow and deep focus shots.

Signature Silver Anamorphic Flares
The Viper lenses produce striking silver anamorphic flares—a hallmark of classic anamorphic cinema. These horizontal flare streaks add character and visual interest to light sources within the frame, whether you are shooting against bright windows, streetlights, or practical lamps. The silver flare rendition is clean and controlled, enhancing the cinematic mood without overwhelming the image.

Cine-Style Design and Build
Engineered for professional use, each lens features:

200° focus barrel rotation for smooth, precise focus pulls

0.8 MOD (Module Over Diameter) gears compatible with standard follow-focus systems

80mm front diameter for use with most professional matte boxes

77mm filter thread for attaching front-mounted filters

Metric and imperial focus scales for versatile operation

Lightweight and Compact Form Factor
Weighing just 1.3 lb (579 g) for the 35mm lens and measuring approximately 3.3 inches in length, the Viper lenses are remarkably lightweight and compact. This makes them ideal for gimbal stabilization, handheld shooting, drone work, and run-and-gun documentary production where weight and portability are critical.

ARRI PL Mount with EF Mount Option
The lenses ship with an industry-standard ARRI PL mount, ensuring compatibility with a wide range of professional cinema cameras from ARRI, RED, Sony, Canon, and others. A Canon EF mount is available separately, providing additional flexibility for filmmakers using EF-mount cameras.

Use Cases
Narrative Filmmaking
The Viper set is an excellent choice for independent filmmakers and production houses seeking a cohesive anamorphic look across multiple focal lengths. The 35mm lens provides a wide cinematic perspective for establishing shots and interiors, the 50mm offers a natural field of view for dialogues and medium shots, and the 75mm delivers a compressed telephoto look for close-ups and portraits.

Commercial and Music Video Production
The signature silver flares and oval bokeh add immediate visual flair to commercials, music videos, and fashion films. The lightweight design allows for dynamic camera movements on gimbals and jibs, while the fast T2.1 aperture enables creative shallow-depth-of-field effects.

Documentary and Run-and-Gun Shooting
Despite their anamorphic character, the Viper lenses are compact enough for handheld and gimbal-based documentary work. The 77mm filter thread accepts standard ND and polarizing filters, and the robust build quality ensures reliability in demanding shooting environments.

Low-Light and Night Shooting
The T2.1 maximum aperture provides over a full stop of light compared to typical T2.8 or T3.2 anamorphic lenses, making the Viper set a strong choice for dusk, night, and interior scenes where light is limited.