Canon EOS C100 Mark II - Câmera Filmadora com Dual Pixel CMOS AF (Corpo)

The Canon EOS C100 Mark II Cinema EOS Camera with Triple Lens Kit provides you with the compact 1080p EOS C100 Mark II camera and a set of three fast f/2.8 Canon L-Series zoom lenses covering wide to telephoto focal lengths on the cameras Super 35mm-sized CMOS sensor. The EOS C100 Mark II is an updated version of the C100 that incorporates Dual Pixel CMOS AF technology that enables continuous autofocusing with compatible Canon lenses. This provides faster and more accurate autofocusing to assist users when operating with small crews. In addition to Dual Pixel CMOS AF, the Mark II adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD, and slow & fast motion options when recording in MP4. The Mark II also features an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5 OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and is tiltable. The Mark II supports GPS and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT. The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allowing you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage. Included with the EOS C100 is a set of three Canon EF-mount L-Series zoom lenses with 16-35mm, 24-70mm, and 70-200mm focal ranges. Each lens features a fast maximum aperture of f/2.8 throughout the zoom range. The lenses are autofocus enabled and are fully compatible with the EOS C100s Dual Pixel CMOS AF for continuous autofocusing. The 70-200mm lens also provides a two-mode optical image stabilization to help reduce the effects of camera shake. The EOS C100 Mark II combined with these three fast zoom lenses makes an ideal package for event videographers, documentarians, and independent filmmakers. Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only) lazyLoad.jsOnReady(//ensighten.bhphoto.com/bhfoto/Bootstrap.js);lazyLoad.setOdUrl(https://www.bhphotovideo.com/find/javascripts.jsp?&min=Y&site=reg&v=release-WEB-20190129v10-BHJ-DVB16578-8&module=); The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canons updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews. The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow & fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5 OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts as well. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT. The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output. The ergonomic design of the EOS C100 Mark II is streamlined to support one-person shoots. Weighing only 2.2 pounds in its basic configuration, the cameras flexible modular design supports a variety of shooting styles. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage. Dual Pixel CMOS AF Technology The Continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus. Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation. Continuous Recording The continuous, nonstop recording function allows you to create In and Out points in the footage every time the START/STOP button is pressed. At this time, the continuous recording function is compatible with Grass Valleys EDIUS Pro 7 software. 320 to 102,400 ISO Range With an extended ISO range from 320 to 102,400, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shoot usable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operate under lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers. Menu Navigation via Camera Buttons Internal camera menus are now controllable from buttons on the camera body. While previously a removable joystick was the only way to control the internal menus, now buttons on the rear of the camera under the built-in monitor can be used. This lets you access the menus when the side grip is removed. Viewfinder Magnification Location Shift Manually move the center of the cameras magnification viewing area to one of 25 different locations throughout the image frame using the joystick. Now camera operators can easily check focus even on subjects that are located away from the center of the image frame. Record Button Lock The Key Lock setting now makes it possible to lock all operations, including the record button. This helps to prevent accidental operation during a critical shoot by the operator inadvertently pressing a wrong button Super 35mm 8.3MP CMOS Sensor The Super 35mm-sized sensor provides an angle-of-view and depth of field that equivalent to that of traditional Super 35mm film. With a native resolution of 8.3MP and a wider pixel pitch than conventional professional camcorders, the sensor offers enhanced sensitivity and reduced noise in low light environments. DIGIC DV 4 Image Processor Designed and built by Canon for the highest HD RGB processing, the DIGIC DV 4 Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations that originate in the single CMOS sensor of the camera into three channels (Red, Blue, and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs. Low Light Sensitivity Working together, the Super 35mm sensor and DIGIC DV 4 Image Processor achieve a high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light. Canon Log Gamma and Wide DR Gamma Canon Log records an image with subdued contrast and sharpness, which preserves a high dynamic range and presupposes color grading in post production. Canon Log Gamma emphasizes rich gradients from mid-range to highlights, resulting in 12-stops of dynamic range. At ISO 850 and above, Canon Log Gamma enables 5.3 stops of latitude above optimal exposure (and 6.7 stops below), broadening the available dynamic range in color grading. Wide DR Gamma yields wide dynamic range by suppressing brightness while maintaining gradations, but is designed to produce finished-looking images without requiring any color grading in post-production. EF Lens Mount with EF Contacts The camera is fully compatible with Canons renowned EF mount lenses. Even specialty lenses, such as Canons 24mm f/3.5L II tilt shift lens or the 8-15mm f/4L Ultra-Wide Zoom fisheye lens. When shooting with EF lenses, the camera features peripheral illumination correction, which automatically compensates for light fall-off in the corners of the image. Multiple Recording Modes and Frame Rates in AVCHD The camera supports AVCHD bit rates up to 24 Mbps (LPCM) at a maximum resolution of 1920x1080. Frame rates of 59.94p, 50p, 59.94i, 50i, 24p, 25p, PF30, and PF24 are all available to meet the needs of your production workflow. It supports relay recording of long takes between dual SD cards or can write video to both cards for redundancy in the event of SD card failure. Pre REC mode buffers approximately three seconds before the tally light activates. Multiple Recording Modes and Frame Rates in MP4 The C100 Mark II supports recording in 1920 x 1080p recording to MP4, at multiple frame rates, and also supports 720p and 640 x 360 frame sizes. Uncompressed HDMI Out with Timecode & Canon Log LUT Support Outputting an uncompressed signal via HDMI. This signal can superimpose timecode and the 2:3 pulldown marker, which means an external recorder and converter can process the HDMI output as an SDI signal. External recorders provide an instant back-up and help to streamline post-production workflows. The HDMI output also supports Canon Log LUT output. Compact and Ergonomic Design Designed with the solo shooter in mind it is 85% the size of the Canon C300, and it is based on a mobile core design that allows additional accessories to be attached depending on the situation. Strip the camera down for a run-and-gun style, or complement the camera with the full range of camera-mounted accessories. With a compact body, you can even shoot dual-camera 3D without an over-sized and cumbersome rig. Its light weight reduces user fatigue and allows even elaborate rigging systems to remain mobile enough for a single operator. The removable accessory hand grip rotates 360 degrees for comfortable shooting positions, while customizable hardware buttons allow the camera to fit your own personal shooting preferences. Removable Top Handle with XLR Inputs and Stereo Microphone Including a top mounted handle unit, which features two XLR connectors and a microphone shock mount. XLR connections offer a high quality audio input for professional grade microphones and facilitate 2 channel 48kHz linear PCM (24 Mbps) audio recordings. High Resolution EVF and Integrated OLED Display Accurately check focus, composition, and exposure with the 1.23 million dot-equivalent 0.45 electronic viewfinder with 100% coverage. The built-in 3.5 1.23MP equivalent OLED panel tilts 100 degrees for flexibility when composing tough perspective shots and rotates 180 degrees to protect the screen when not in use. Use the LCD display to review footage or to view the cameras waveform monitor. AVCHD or MP4 File Based Recording to SD Cards The camera records video to SDHC/SDXC cards using AVCHD, a high-efficiency codec that has quickly become a standard in both the professional and consumer video markets. Maximum bit-rate is 24 Mbps. Video files greater than 2GB are split into multiple files while recording, which are automatically joined together upon import using Canon Data Import. AVCHD video is widely supported across NLE systems and is the standard codec for Blu-Ray. The camera records using the MP4 codec, and can record in fast motion (25% faster) or slow motion (40% slower) in MP4 recording mode. Full Manual Control and Focusing Aids The camera offers complete manual control of each aspect of the recording process. Create and recall custom picture settings, camera functions, and display options. The camera also features several powerful and intuitive focusing aids in both the EVF and LCD monitor that make it easy to confirm critical focus distance; Peaking Modes and Magnify Focus Modes are available while in standby or while recording. Additionally, the LCD features Edge Monitor Display; green waveform display the overall focus of the scene and red waveform provide focus feedback of the three focus check boxes visible on the LCD monitor. One Shot AF and Push Auto Iris One-Shot AF executes focus adjustments with a dedicated button, and the Push Auto Iris button automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure. Both of these functions can be accessed even when operating in manual mode. Built-In ND Filters In excessively bright environments neutral density filters are often required to avoid over exposure, without compromising desirable shutter and aperture settings. It features built-in ND filters in three densities, which make for four ND configurations (OFF, 2 stops, 4 stops, 6 stops). The built-in ND filters are deployed via a manual dial. Remote Terminal Remotely control the camera via its LANC-compatible remote terminal. Remote operation allows for single-person operation even in creative rigging situations. Additional Features Waveform monitor; standard and RGB modes Exposure/Focus aids: Peaking, Zebra, Magnify, Edge Monitor Focus Assist, Black and White Mode Drop Frame (DF) or Non-Drop Frame (NDF) Timecode Timecode modes: Regen, Record Run, Free Run Nice Customized Picture Profiles available in camera and up to 20 can be saved to an SD card Custom picture profiles can be adjusted using the following settings: Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Balance, Color Correction, Setup Level 15 assignable function buttons SMPTE, EBU, or ARIB standard color bars can be selected Canon EF 16-35mm f/2.8L III USM Lens Characterized by a revamped optical design, the EF 16-35mm f/2.8L III USM from Canon is a workhorse wide-angle zoom and member of the well-regarded L-series of lenses. Featuring a series of specialized elements, this lens utilizes a trio of aspherical elements and two ultra-low dispersion glass elements to control a variety of aberrations for high sharpness and clarity. Both SWC and ASC coatings have also been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy. Complementing its optical prowess, a ring-type Ultrasonic Motor offers fast, smooth, and near-silent autofocus performance, which is further benefitted by full-time manual focus operation and an internal focusing design. The lens is both water and dust-resistant, and fluorine coatings have also been applied to the front and rear elements to protect against fingerprints and smudges from affecting image quality. Wide-angle zoom 16-35mm lens is compatible with full-frame Canon EF-mount DSLRs, as well as APS-C-sized models where it will provide a 25.6-56mm equivalent focal length range. Constant f/2.8 maximum aperture offers consistent performance and excellent light transmission throughout the zoom range. Two large-diameter glass-molded dual-surface aspherical elements and one ground aspherical element help to minimize distortions and spherical aberrations throughout the zoom range in order to maintain edge-to-edge sharpness and illumination. Two ultra-low dispersion elements are used to minimize chromatic aberrations as well as eliminate color blurring around the edges of subjects. Both a Subwavelength Coating (SWC) and an Air Sphere Coating (ASC) have been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions. A ring-type Ultrasonic Motor (USM), along with an internal focusing system, high-speed CPU, and optimized AF algorithms, are employed to deliver fast, precise, and near-silent autofocus performance as well as full-time manual focus override. As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions. Protective fluorine coating has been applied to the front bulbous element to resist fingerprints and smudges and to make cleaning significantly easier. Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques. Canon EF 24-70mm f/2.8L II USM Lens Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity. Balancing the refined optics, this 24-70mm f/2.8 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions. Standard zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 38.4-112mm equivalent focal length range. Bright constant f/2.8 maximum aperture affords consistent illumination throughout the zoom range and also affords greater control over depth of field for working with selective focus techniques. One Super Ultra-Low Dispersion element and two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity. Three aspherical elements minimize spherical aberrations and distortions for improved sharpness and accurate rendering. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques. Protective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier. As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions. Zoom lock lever secures the zoom position at the wide end to maintain a compact form factor and protect the lens when not in use. Canon EF 70-200mm f/2.8L IS II USM Lens A workhorse of a lens, the Canon EF 70-200mm f/2.8L IS II USM is an L-series telephoto zoom characterized by its bright f/2.8 constant maximum aperture and optical image stabilization. The fast maximum aperture affords greater control over depth of field and benefits working in low-light conditions while the Image Stabilizer compensates for four stops of camera shake for sharper handheld shooting. As an L-series lens, this 70-200mm also features a sophisticated optical design that uses five ultra-low dispersion elements and one fluorite element to reduce color fringing and chromatic aberrations for improved clarity. Also, a Super Spectra coating has been applied to help reduce lens flare and ghosting for greater contrast and color neutrality. Complementing its optical assets, this 70-200mm f/2.8 also sports a ring-type USM and internal focusing mechanism for quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying environmental conditions and it has a removable rotating tripod collar to benefit working atop a tripod or monopod. Versatile telephoto zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 112-320mm equivalent focal length range. Bright constant f/2.8 maximum aperture affords consistent performance throughout the zoom range and offers notable control over depth of field for working with selective focus techniques. One fluorite element and five ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four shutter speed stops to better enable working in low-light conditions and with slower shutter speeds. In addition to the single-shot standard IS mode, a second mode is also available that it optimized for panning. A ring-type Ultrasonic Motor (USM), along with an internal focusing system, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Focus Limiter switch lets you constrain the focusing to two different ranges to suit different applications: 3.9-infinity or 8.2-infinity. Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques. As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions. Removable rotating tripod collar is included and benefits working with the lens atop a tripod or monopod. Compatible with optional EF 1.4X and EF 2X teleconverters.